Low resolution, High vision. Glitch is the event. Pixel is the element. My aesthetics is to be found in the realm of machine failures where I interpret the glitch in various environments and digital styles. The error. The limit. The unexpected. The diversity. The fragility. The imperfection. The vulnerability. Departing from these grounds of elaboration, I develop my research and practice on various topics related to temporality, functionality, accessibility, opportunity, and the influence of new technologies, design, and politics, have on human relations in terms of interactions and values, related to human and machine, with a focus on networks and community, behaviors and languages, memory and identity, how those contribute in the evolution of a new world, society, human, their conception and perception through machines, individuals new self-awareness. My works have appeared on many sites and magazines including Motherboard, Bullet Magazine, Hyperallergic, Monopol, Observer, Artribune, Exibart, Flash Art, and Digicult. I am listed in the second volume publication about art and technology promoted by the Italian Minister of Foreign Affairs. I took part in many curatorial projects, my works were exhibited at the DAM Gallery in Berlin, at the Media Center in New York, at the Galerie Charlot in Paris, at the Digital Art Center in Taipei, online at The State Hermitage Museum, at the World Intellectual Property Organization [WIPO], at the Central Academy of Fine Arts [CAFA] in Beijing, at the MediaLAB of the University of Brasilia, at the Wrong Biennale and in many other galleries and cultural art events worldwide, and also included in academic talks and lectures at international institutes and universities. I directed the organization of the first Glitch Art group show in Italy, Tactical Glitches, curated by Rosa Menkman & Nick Briz. In 2016 I was among the artists invited by the School of Art Institute of Chicago [SAIC] for its 150th anniversary where I gave a lecture and a public talk about piracy practices, the impact of the internet, and digital media on the production, distribution, and consumption of NSFW materials. I am part of the curatorial projects of Sedition Gallery, ELEMENTUM, and Niio. I collaborated with the MoCDA Museum, Hard Disk Museum, and The Wrong Biennale. I teach glitch art and dirty new media at the Rome University of Fine Art [RUFA] and I give lectures and presentations about glitch art and related topics at academies, schools, and festivals. I am the creator of the online art network and community White Page Gallery/s.